Spider-Man the Movie
Spider-Man
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Editorial Reviews
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More than a few critics hailed Spider-Man 2 as "the best superhero
movie ever," and there's no compelling reason to argue--thanks to a
bigger budget, better special effects, and a dynamic,
character-driven plot, it's a notch above Spider-Man in terms of
emotional depth and rich comic-book sensibility. Ordinary People
Oscar-winner Alvin Sargent received screenplay credit, and
celebrated author and comic-book expert Michael Chabon worked on the
story, but it's director Sam Raimi's affinity for the material that
brings Spidey 2 to vivid life. When a fusion experiment goes
terribly wrong, a brilliant physicist (Alfred Molina) is turned into
Spidey's newest nemesis, the deranged, mechanically tentacled
"Doctor Octopus," obsessed with completing his experiment and
killing Spider-Man (Tobey Maguire) in the process. Even more
compelling is Peter Parker's urgent dilemma: continue his
burdensome, lonely life of crime-fighting as Spider-Man, or pursue
love and happiness with Mary Jane Watson (Kirsten Dunst)? Molina's
outstanding as a tragic villain controlled by his own invention, and
the action sequences are nothing less than breathtaking, but the
real success of Spider-Man 2 is its sense of priorities. With all of
Hollywood's biggest and best toys at his disposal, Raimi and his
writers stay true to the Marvel mythology, honoring Spider-Man
creators Stan Lee and Steve Ditko, and setting the bar impressively
high for the challenge of Spider-Man 3. --Jeff Shannon
DVD Features:
The first commentary track is by director Sam Raimi and a
self-deprecating Tobey Maguire speaking in tandem, and producer (and
Marvel CEO) Avi Arad and coproducer Grant Curtis speaking in tandem.
They discuss a number of topics, including Raimi's memory of his
excitement over Richard Donner's Superman and how the character of
Black Cat had to be dropped from the film. The second commentary is
by six members of the Oscar-nominated effects team, and one of their
primary focuses is how Doc Ock's arms were achieved by a combination
of puppetry and CGI.
The centerpiece of the second disc is a massive two-hour documentary
that can be viewed all at once or in 12 separate pieces. It covers
the development of the story, the visual effects, costumes, stunts,
and sound and music. Three shorter featurettes cover Peter Parker's
struggle between his personal and hero lives, Doc Ock, and the women
in Spider-Man's life, and what's interesting is how they discuss
those topics not just in relation to the movies but to the comic
books as well. (For example, Betty Brant and Gwen Stacy had a much
greater impact in the comics.) There's a scene in which you can
toggle among three different camera angles, and a gallery of 17
paintings Alex Ross created for the opening sequence. The sound and
picture are spectacular, though only the Superbit edition has DTS.
--David Horiuchi