History of the Rifleman TV Series

Tvcrazy.net TV trivia and facts sections Fun Facts Home
The Rifleman Trivia Facts Western Trivia Facts

History of the Rifleman TV Series

According to network publicists, the series was set in the 1880s. There are also numerous episodes where the date is given in the 1880s. A wooden plaque next to the home stated that it was rebuilt by Lucas McCain and his son Mark in August 1881.

Westerns were popular when The Rifleman premiered, and producers struggled to find gimmicks to distinguish one show from another. The Rifleman's gimmick was a modified Winchester Model 1892 rifle with a trigger mechanism allowing for rapid-fire shots. Query how he could have had a Model 1892 in the 1880's, nevertheless Connors demonstrated its rapid-fire action during the opening credits as McCain dispatched an unseen bad guy on North Fork's main street. Although the rifle may have appeared in every episode, it was not always fired, as some plots did not lend themselves to violent solutions, e.g., a cruel teacher at Mark's one-room school. There were several episodes where McCain dispatched the bad guys without the use of the rifle at all and he once threw the rifle to knock the bad guy off his horse instead of killing him because he was a friend. In one episode McCain even "spiked" the barrel of his own gun when he knew it was going to fall into the hands of the villain so that it would backfire. McCain was also well versed in the use of a six gun although he did not own one and this aspect was rarely shown.

The various episodes of The Rifleman promote fair play toward one's opponents, neighborliness, equal rights, and the need to use violence in a highly controlled manner ("A man doesn't run from a fight, Mark," McCain tells his son, "But that doesn't mean you go looking to run TO one!"). In other words, the program's villains tend to be those who cheat, who refuse to help people down on their luck, who hold bigoted attitudes, and who see violence as a first resort rather than the last option. Indeed, a curious aspect of the program is that when they meet African-Americans, the people of North Fork are truly color-blind. In "The Most Amazing Man", a black man (played by Sammy Davis, Jr.) checks into the only hotel in town; for the entire show, no one notices his race. Not only is this noteworthy for the 1880s setting, it was radical for Hollywood of the early 1960s. While the message was clear, it was neither heavy-handed nor universal. A certain amount of xenophobia drifts around North Fork, however, forcing McCain to defend the right of a Chinese immigrant to open a laundry ("The Queue") and the right of an Argentine family to buy a ranch ("The Gaucho").

Another fundamental value of the series is that people deserve a second chance. Marshal Micah Torrance is a recovering alcoholic. Similarly, McCain gives an ex-con a job on his ranch ("The Jailbird"). Royal Dano appeared as a former Confederate States of America soldier, given a job on the McCain ranch, who encounters the Union soldier who had cost him his arm in battle. The soldier, now a general, arranges for medical care for the wounded former foe, quoting Abraham Lincoln's orders to "Bind up the nation's wounds." (Dano also appeared as a wealthy tanner who mistakenly believes Mark is his lost son and again as a preacher with a haunting gunfighter past in an episode where Warren Oates and L. Q. Jones, as unsavory brothers, try to goad him into a gunfight and attempt to bushwhack him.)

The show was created and initially developed by a young Sam Peckinpah, who would go on to become the director of classic Western movies (The Wild Bunch, Ride the High Country, etc.). Peckinpah, who wrote and directed many of the best episodes from the first season, based many of the characters and situations on real-life scenarios from his childhood growing up on a ranch. He also used many character actors such as Warren Oates and R.G. Armstrong (the marshall in two early episodes who was killed by James Drury before Paul Fix joined the cast) who would later feature prominently in his films. His insistence on violent realism and complex characterizations, as well as his refusal to sugarcoat the lessons he felt that the Rifleman's son needed to learn about life, soon put him at odds with the show's producers at Four Star. He left the show and created another classic TV series, The Westerner, starring Brian Keith, which was short-lived.

The pilot episode was telecast on CBS on Dick Powell's Zane Grey Theater. Regulars on the program included Marshal Micah Torrance (Paul Fix) (R. G. Armstrong was the original marshal for two episodes, the first and the fourth), Sweeney the bartender (Bill Quinn), and a half-dozen other denizens of North Fork (Hope Summers, Joan Taylor, Patricia Blair, John Harmon, and Harlan Warde were regulars). Fifty-one episodes of the series were directed by Joseph H. Lewis, the director of the classic film noir Gun Crazy (1950), which accounts for some of the show's virtuoso noir lighting and dark, brooding quality. Ida Lupino directed one episode, "The Assault". Connors wrote several episodes himself. Robert Culp of CBS's Trackdown, wrote one two-part episode.

The February 17, 1959, episode of The Rifleman proved to be a spin-off for an NBC series, Law of the Plainsman starring Michael Ansara in the role of Marshal Sam Buckhart. In the story called "The Indian", Buckhart came to North Fork to look for Indians suspected in the murder of a Texas Ranger and his family.

Cast

* Chuck Connors as Lucas McCain
* Johnny Crawford as Mark McCain
* Paul Fix as Marshall Micah Torrance

The Rifleman had his own comic book series complete with photo covers.