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Rating: -
Holy Fools / 0-552-77001-9
What happened here? I loved Chocolat, and I adored Five Quarters of the Orange. Holy Fools, however, seems like it came from a completely different author. The book is acceptable, but not up to Harris' standards.
To start, the standard Mother-Daughter theme that Harris employs so well is deeply underdeveloped here as more of a plot device than anything else. There was a lot of potential here - a nun with a beloved daughter, raising her in the nunnery, safe from the outside world, and yet perhaps a little too sheltered. The daughter could be a little wild, a little free, a little rebellious, wanting to know the curiosities of the outside world. Or the daughter could be content, yet the mother conflicted that her safe daughter might be missing so much. Vianne would do that. Not so here - the only real point of the daughter seems to be to get herself kidnapped and squirreled away so that our heroine cannot flee the chaos, interfere effectively, or do much else besides narrate the descent into madness she is forced to witness.
I could accept the "daughter as hostage" plot device, were the main character not so otherwise one-dimensional. Though the villain has cruelly treated her numerous times, including (and most recently) kidnapping her daughter and taking over her sanctuary for his own nefarious purposes (including seducing the nuns late at night), she seems less intent on bearing a grudge and more intent on mooning her way back into his bed. I was more than a little enraged at a late-at-night scene in his house - if you had a moment alone with the man who kidnapped your daughter, would you sleep with him and cheerily leave the next morning, or would you wait until he was asleep, tie him up, and then 'persuade' him to tell you where he stashed your child? I don't even have children, yet I know what I would do. The fact that rough persuasion does not seem to ever occur to our heroine is completely maddening, especially given that Harris has gone out of her way to emphasize that the lady has wonderful survival skills and could manage easily outside the nunnery, even with her child. How can someone so resourceful be so helpless for 90% of the narrative?
Harris' crisp insight into females isn't just lost on our heroine. All the women in this novel are worthless, emotional idiots. The nuns quickly and easily descend into madness, under the manipulation of the villain. This isn't presented as religious hysteria a la Salem - instead, the women seem either intensely stupid or completely eager to join the villain for their own reasons (lust, hatred, attention-seeking). The subtlety necessary for religious hysteria seems completely absent here, which is astonishing, because I believe that if anyone could have pulled it off, Harris could have. Again, what happened here?
This isn't a bad novel. It's got enough cliches to shake a stick at, and it's incredibly frustrating at bits, but so are many decent novels. But this is a bad novel for Harris. You may enjoy this, if you check it out at a library, or find it at a half-price store, but don't expect Harris quality. In the end, I didn't hate it, but I was deeply disappointed.
Rating: -
There is no doubt Joanne Harris a genius and a great writer and the reason I typically enjoy her books is because the main character is usually a strong and passionate woman. I felt this story's main character is so oppressed and manipulated that I couldn't finish the book - it was tiring and not hopeful in any way. Most of Ms. Harris' books inspire me to live life more passionately, cook, garden, smell life and live it fully - this one was just depressing.
Rating: -
When a book refuses to be put down, I know that reading it is time well spent. The story did not lag at any point and every thing made sense in the end. It's a story of love, betrayal, and reconciliation. After devilish LeMerle betrays the fiery Juliette, she was sure that she never wanted to see him again. Pregnant and alone, she joins a convent and for 5 years lived in peace until LeMerle shows up, posing a priest and confessor to the abbey's new abbess. I love the way Ms. Harris can keep me wondering about what secret LeMerle is keeping. I was on pins and needles as Juliette tried to figure out what he was up to. LeMerle is the bad boy that every woman loves and as a priest, he got the nuns at the abbey at his beck and call. Except for Juliette. But he devises a plan to force her compliance with his plans to humiliate the Bishop of Evreux, the abbey's sponsor. Juliette is determined to thwart his plans and all hell breaks loose. Who would think that so much excitement can go on in a abbey?
Rating: -
My biggest issue with this book is the fact that the main character seems so thoroughly one-dimensional. Her daughter, rather than being her driving reason for being (compare to the firece motherhood themes in Chocolat) serves only as a plot device - the main character is forced to remain witness to terrible events because her daughter is held captive. But this captivity is false and unreasonable. The villain holding the girl from her mother is seduced by the mother, not - as you might imagine - to gain vital information on the daughter's whereabout in order that they may flee, but rather because the mother is still haunted by some strange fascination for this man, despite his numerous sins against her.
Honestly, this is not written from a mother's perspective and I think it would have been better to employ another literary method to force the main character's presence. Vianne (Chocolat) would have fought hell and high water to rescue her little girl; the presented idea here of bidding time quietly rather than escaping with my girl in the dead of night is jarring and unrealistic to me.
Rating: -
The plot of this novel is fairly original, and the beginning seemed really promising. Where it failed, was on the actual execution of the plot, and motivation of characters. The Blackbird is supposed to be this genius of evil, and sometimes he just comes through as a low-grade hoodlum. To me this is the problem with authors skills. The whole plot just seems unlikely. Things happen without explanation, and it is hard to believe how these people got from what they used to be to what they are. I'm being vague not to spoil it to those who have not read the book yet. Another problem is that this book did not give me the feel of the time period. You could easily modify a few details, and change the place and time. Is it a problem? Yes, at least to me. I expected the historical fiction, and found a generic, fogettable story.
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