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Rating:  -
This movie is always on t.v. so finally I decided to watch An Unmarried Woman starring Jill Clayburgh. This movie is pretty darn good, I agree with one of the reviewers stating this film is dated and that's true but the performances make this movie worth while. The ending is a bit silly but this is an important film which deals with a married woman who is suddenly single after her husband walks out. I highly recommend checking out this 70's classic, enjoy!
Rating: -
The sometimes sad and sometimes funny story of a woman going through divorce. The movie does a good job developing the relationship as a married couple and the aftermath of relationships, feelings, etc. We especially liked seeing some views of NYC of 30 years ago- how some things have changed so little (Rockafeller ctr) and some a lot (WTC). A good movie, which you probably won't find uplifting, but will find entertaining!
Rating:  -
Divorcees will relate to this movie automatically...great cast...just brings up some essential things about the process of divorce, whether youre in the stages or past it...when Jill throws up at the mention of the beginnings that just expresses ...the process we all go thru...I saw this movie when it hit the screen, and it still comes up in conversation...a classic
Rating: -
Driven by a compelling performance from lead actress Jill Clayburgh, who was nominated for a Best Actress Oscar, Paul Mazursky's sensitive drama is an iconic blend of the so-called woman's film and a plucky portrait of contemporary femininity. After a shattering split-up lands her in the open market, Erica's affair with a soulful painter, touchingly played by a scruffy Alan Bates, teaches her how to invest emotionally in another person without submerging her own identity. "Woman" offers a warm, perceptive, comic look at feminine self-reliance that still resonates. A spiritual precursor to "Sex and the City."
Rating:  -
The casting, production and photography could not be better in this interesting, but flawed film. The conversations between the "Sex And The City" look-alike friends are fun, but not authentic. Men can't write what women say to each other; it just does not work. One lady editor could have cured this problem.
The major disaster is the ending: There is none. And, not only is there no ending, but the writer-director threw away a beautifully crafted opportunity to write and direct a stunning ending when the errant husband comes back to beg a reunion. These two fine actors seemed to know they were throwing away a potentially monumental moment in film, but the author -director has the honesty to confess his lack by having Jill walk off down the street with an awkwardly large painting on the crowded streets of Manhattan.
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