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Normally I don't review a lot of movies but this one I couldn't resist. Mr. Skeffington stars none other then the great Bette Davis in one her finest performances (she had many many more). The subject matter is also important because of it's important message,which still holds up strong in todays world where looks and youth often seem to matter more then even morality. Davis is Fanny Trellis,a tragic character if I ever saw one. This epic drama begins in 1914 just before the start of WW1 as Fanny,a New York social climber seeks the romantic attention of her swindling brother's boss Job Skeffington (Clause Rains),a wealthy banker who happens to be Jewish in order to get her brothers name cleared. Through the war the couple have a child and,while Skeffington himself is always aware she's not truely in love with him she dismisses it as him "laughing at her" on the inside. Skeffington is a likeable and a very sympathetic man who goes all out to show Fanny and their daughter,also named Fanny all the love and kindness he can. When Fanny's brother dies in the war,having gone because of her selfish ways,she blames-resulting in bitterness and6 infidenlity on both sides.In the end the couple seek divorce. As with most cases like this,the daughter is torn but ends up traveling overseas to Europe with her father following the war. Of course once she is gone the elder Fanny is back to to her selfish,and frankly rather disrepretable ways.She only views her looks as a significant asset. When one such date results in diptheria Fanny's years catches up with her and she is left with an aged face. By this time it is during the second world war and Fanny is left to contend not only with her haunted memories of Job Skeffington but finaly by the man himself,blinded and in financial ruin after time in a Nazi concentration camp. The only thing is,while he still loves Fanny,the next part is where the movie gets reallllly interesting:Fanny's faded looks have deflated her ego and she finds she too really does love Mr.Skeffington and decides to be there for him. Yes,small justice for her ammoral behavior over the years but a fitting conclusion. This is a great story with tremendous acting on the part of everyone participating. In the end Claude Rains brilliant performance,reserved yet very warm makes you really like Job Skeffington.Even when,after Fanny's betrayal of his effections he resorts to extra marital affairs-it's only only time I ever sympathized with a movie character who did that.After all Fanny had been having "suiters" all through her marriage:men literally lined up to share her affections. At first one doesn't emphathize with Bette Davis's Fanny until the end,when you realize your dealing with a character who has become so consumed with her appearance that she forgot how to really love. At any rate this is a wonderful black & white Bette Davis classic that everyone interested in classic cinema should see.
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You can't get better than Bette Davis in my opinion. Claude Rains is a wonderful male lead, portraying a calm, long-suffering Mr. Skeffington to Bette's selfish, manic Mrs. Skeffington. You won't want to miss a minute.
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If you like old classic movies...
I love it when the ending is unpredictable. The acting was great, the movie kept my attention and it had some good life lessons illustrated.
The only thing was...one has to suspend disbelief to accept that Bette Davis was the most beautiful woman in New York. She did such a great job of acting - as always - that one may not mind that. I didn't.
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Earning an eighth Oscar nomination, Bette Davis boldly owns this captivating "women's picture". Playing a vain and self-centered beauty, Davis commands the screen in every possible way.
Fanny Trellis (Bette Davis), the darling of New York society, is penniless thanks to her weak-willed brother but enjoys a neverending string of male admirers traipsing through her Gramercy Park mansion. When marriage finally comes, it's more of a business arrangement. Although she's very fond of Job Skeffington (Claude Rains), Fanny will never settle down as the devoted little wife and mother. Only after a middle-aged Fanny has suffered the ravages of diphtheria will she discover the true value of love over appearances.
Bette Davis was never afraid in playing unsympathetic characters, and in Fanny she found the perfect meaty role. Layered with many shades, moods and colours, Fanny Skeffington wins hearts on and off the screen, despite her more tempestuous moments. Not the most conventional screen beauty, Davis was concerned about playing a woman famous for her looks (Irene Dunne, Merle Oberon and Hedy Lamarr were all briefly considered for Fanny). I can't imagine any of them being better than Davis.
I absolutely adore everything about MR. SKEFFINGTON, from it's lush period design to the bravura performance of Bette Davis, in what must have surely been one of her favourite roles.
The DVD includes the new documentary "Mr. Skeffington: A Picture of Strength", audio commentary with director Vincent Sherman, and the trailer. (Single-sided, dual-layer disc).
Rating: -
A vivid, sprawling, involving story about a woman who takes her beauty and charm for granted, reveling in the superficial benefits they attract while letting genuine opportunities for love and meaning pass her by. I think we all have met people like this, sharp and attractive and clever in their teens, twenties, and thirties, but then lonely and a bit paunchy as they enter their forties, because- way back when- they couldn't bring themselves to settle down with just one of the cute and charming people in their circle when they had the chance, because there were just too darn many of them to enjoy. Of course, the tragedy of people like Bette Davis' Mrs. Skeffington character is that, even if they did have a moment of clarity while still young and alluring, many still would choose the sweet, momentary pleasures instead of taking the time to build something more meaningful.
Warner Home Video's DVD of "Mr. Skeffington" features sharp picture and sound, a brief but illuminating featurette about the movie, and a couple of short subjects that might have been shown with the film during its original release.
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