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Rating: -
What a firecracker this season of the Baltimore-based police drama is! Starring Richard Belzer, Andre Braugher, Reed Diamond, Clark Johnson, Yaphet Kotto, Melissa Leo, Max Perlich and Kyle Secor, it opens with a hostage situation at a Baltimore middle school and ends 22 episodes later with the investigation into a major character's murder and news of some major changes in the department in the coming year. In between, there's all manner of mayhem including a prison riot, an upsurge in drug-related murders, arson, a carjacking, a murder in a boarding school, an armed suspect who holes up in the headquarters of an African-American community group and the suspicious death of an Nigerian man who was transporting 72 heroin-filled condoms for a notorious druglord.
As always, the scenes are gritty and realistic; like its cousin, HBO's "The Wire", the show was shot on location in Baltimore. The cracking dialogue is authentic too: often it has nothing at all to do with moving the actual story forward, as is often the case in real life. There's tense action and innocent people sometimes die. But as always, for me, the most interesting aspect of this series - apart from the crime detection - is the interpersonal relationships between the various characters, especially between Detectives Pembleton and Bayliss (played by Braugher and Secor respectively).
All the familiar faces are back: Pembleton's return to duty raises a number of challenges, for him, his colleagues and even for his wife. Still recovering from the stroke he suffered last season, I think it's a huge credit to Braugher's acting skills that he's able to evoke sympathy for a character that has hitherto been so exasperating, if not just plain irritating. (But of course, that doesn't last). He attends marriage counselling with her later on in the season, which makes for very interesting viewing and Kellerman faces Federal corruption charges.
Directors this season include Ted Demme, Kevin Hooks, Kyle Secor and Clark Johnson. Guest stars include regulars like Zeljko Ivanek as Assistant State's Attorney Ed Danvers, Ami Brabson (Braugher's wife in real life) as Pembleton's wife Mary, Clayton LeBouef as the he-looks-way-too-young-to-be-a Captain Barnfarther and the achingly beautiful Granville Adams as beat officer Jeff Westby.
Introduced this season are Toni Lewis as narcotics detective Terri Stivers and raven-haired Michelle Forbes as the new Chief Medical Examiner, Dr Julianna Cox. Other big names to look out for include Edie Falco, Rosanna Arquette, Tate Donovan, Charles S. Dutton, Glenn Fitzgerald, Melvin Van Peebles, Mekhi Phifer, LaTanya Richardson, Eric Stoltz, Dean Winters, Elijah Wood and the show's executive producer, Barry Levinson (appearing as himself).
This season also sees the opening gambits of the Luther Mahoney saga with the smooth, cool & totally ruthless druglord excellently played by Erik Todd Dellums. That storyline is worth the price of the boxset all on its own and it runs into the following season.
DVD extras include audio commentary by writers James Yoshimara and Eric Overmeyer on ep. 9, film-within-a-film "The Documentary"; "Inside Homicide", an interview with David Simon and James Yoshimura; cast and crew biographies and scene selection. My only gripes with this boxset are the lack of subtitles and the absence of details regarding the music that was used in the series. They provided them on the boxset for season four so I'm a bit mystified as to why they couldn't let us have them here too.
With "The Wire" now gone, "NYPD Blue" a distant memory and the enduring "Law & Order" beginning to show its age after 18 years, it would seem that the era of gritty urban police dramas is slowly but surely coming to an end. We only have "The Shield" left.
Thank heavens for DVD boxsets.
One other thing: Considering the fact that this season was made and originally aired in 1996/97, it still looks incredibly fresh and contemporary today. Proof, if ever any were needed, that good art never gets old.
Rating: -
Homicide-Season 5 was very intertaining. Homicide was a great series and the episodes continue from the previous ones. The actors were superb and the story lines were time appropriate. Current events were often the story lines. I would recommend this DVD for anyone who likes police dramas.
Rating: -
Know that anytime with nothing to do or read that is the time for an episode of Homicide: Life on the Streets. Great cast and great stories. Almost always a good watch. Glad to have it and in a timely fashion.
Rating: -
Homicide Life On The Street has got to be the best police TV drama ever made. It is fantastic to be able to buy the whole series on DVD as it is released. Seasons one through seven are now available and all are definetely worth buying. The acting is superb in this series. If you like police work and true to life police drama then Homicide is for you. I give it a 5 plus rating.
Rating: -
If season four saw Homicide:LOTS lose its footing, season five was the one in which it slipped and began sliding downhill in a hurry. Everything that was so brilliant about the first few seasons gets tossed aside here.
Gone are so many of the brilliant characters like Crosetti, Felton, Bolander, and Russert. The strongest characters who remain (Giardello, Pembleton, and Howard) are largely relegated to the background. In their places are the one-note Kellerman, the obnoxious Brody, and the grating Cox.
Before this season, the show was largely about the interpersonal dynamics of the squad room and how that added up to a functional police unit; in season five, each character is isolated by ever-more contrived personal crises. The newer actors bring hystrionics and annoying acting tics to a show in which subtlety and wry nuance used to take center stage.
Gone too this season are some of the best writers on the show, and their replacements show only the most superficial understanding of what make these characters tick. Bayliss, Lewis and Munch are caricatures of themselves in these episodes, and Giardello is pushed so far into the shadows it's suprising that Yaphet Kotto isn't just given a guest starring credit.
Oh, and the original, brilliant opening credit montage--with it's overexposed, gritty urban scenes and unsettling percussion--is replaced with a CSI-esque montage of forensic gobbledegook and bleating sound effects. The original perfectly encapsulated the mood of the show; the new one completely misses the point.
By all means, get the first four seasons. More perfect television has never been made. But only get season five if you can't sleep at night without knowing how Andre Braugher plays a person recovering from a stroke. Six and seven you can skip altogether.
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