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Rating:  -
Well, I have to say, I watched this movie in a rather unusual way. A few weeks ago, on TV, I saw the very ending (about the last 5 minutes) and I thought, "Egad, what IS this movie about?" Well, now I just finished watching it again only this time,from the beginning. (I just happened upon it while channel surfing.)
I have to say Hoskins is brilliant. I can't imagine any other actor doing any better than he in this role. You are convinced he is totally "off the track" as you see him preparing those impressive convoluted meals while watching hid dead mother's cooking show re-runs.
As he manipulates the turkey skin and pierces the trussing needle through the rack of lamb there is no doubt he is full of hate and revulsion for his mother but also filled with an obsession about her for which he has little control.
He is at once, menacing, charming and pathetic and his inner demons are juxtaposed alongside Elaine Cassidy's character's innocence and childlike trusting nature.
I thought the movie was very well done, VERY unusual and a suspenseful thriller in a sort of Hitchcock genre but without the blood and gore.
Rating: -
As I do completely love Elaine Cassidy and count myself among many of her adoring fans...I've asked myself would I like this movie as much as I do if she wasn't in it...The answer is probably not if I'm being truthful with myself and you...So therefore, speaking strictly as a fan of her's is the only way that I could rightfully spew forth my most humble opinion of this film...
Elaine is especially gifted at playing an innocent character. And indeed Felicia is the most innocent girl that's walking head on into a very bad situation! This fact had me sitting on the edge of my seat throughout the entire movie wondering what was going to be her fate after all...Wow, Bob Hoskins did a fantastic job! I was freaked out by him...But just as demented as his character is in the movie. Elaine is so angelic as her character and for me that made for one really good movie! I really cared about what was happening to Felicia...But I'll have to give that credit to Elaine for how well she played Felicia...She was so kind, so lost, so trusting...Bob Hoskins takes his credit for taking his role to the exact polar opposite of Felicia...I hated him and yet I felt sorry for him more often than not because of how lonely he was...Now quoted someone said " the people who like this film are pretentious pedantic bores" and I say no I'm not I'm just a fan of Elaine Cassidy's thank you very much...
Rating: -
Although Leonard Maltin gives this film a tepid review in his Video Guide, I find it a very well made film. I had not watched it since the time when it was sold in video cassette, and I'd forgotten how good it was. Bob Hoskins performance is especially good. The movie is quite frightening, especially if one has never seen it and doesn't know the outcome, but it leaves one with a lot to think about. The style is somewhat like that of a Neil Jordan film.
Rating: -
This is a movie in the Hitchcock style, this time without gore, but with subtle terror.
Some of the scenes are homages to the master, but this does not detract from their effectiveness. (I'm thinking of glass of milk carried up the stairs in Suspicion.)
The movie is suspenseful, and scary as mild-mannered catering supervisor Hilditch befriends the lost traveller Felicia as she struggles to find her missing boyfriend. On the surface, Mr. Hilditch seems so nice, but as his little hobby is gradually revealed, even the calmest scenes are quite terrifying.
Hilditch has grown up under the suffocating wing of his famous TV chef mother. Apparently, like the mother-son bonding in Psycho, the results of this "nurturing" can be deadly.
The leads are played by Bob Hoskins -- what a great actor -- and Elaine Cassidy, a young actress who makes the incredibly naive Felicia come alive. The movie is from a novel by William Trevor.
This is a troubling film, filmed in wide-open industrial spaces that emphasize how alone and weak Felicia is. The only place of comfort is the serial killer's cozy homestead.
This is not a Psycho-style shrieker, but it is a work of quiet horror. "Have a cup of tea, my dear?"
If you liked this, see Egoyan's The Sweet Hereafter.
Rating:  -
This film adaptation of William Trevor's novel of psychological suspense, for which its author was the recipient of the 1994 Whitbread Award, is one that those who read the book should see, as well as those who like unusual films of psychological suspense. After reading the book, I became curious as to how a film adaptation would work, as so much of the book involves the introspections of two people whose lives interconnect. Despite some of its shortcomings, it is definitely a film worth seeing, if only for Bob Hoskins brilliant performance.
Felicia is a seventeen year old motherless and naive Irish girl, who has become intimate with an Irish boy named Johnny. Of course, the expected ensues, and after Johnny has left Ireland and returned to England where he ostensibly works, Felicia is left holding the bag. Her disapproving father suspects Johnny of actually being in the British Army and, thus, a traitor to his own. He also has a few choice words for his daughter, now that she is in the family way, and none of it is flattering. So, Felicia leaves her rural village and her family and goes off in search of Johnny, having nothing more than the vaguest of ideas where he might be.
She crosses the Irish Sea and arrives in the English Midlands in the industrial city of Birmingham, as she believes Johnny to be working in a lawn mower factory there. In her search for Johnny, she runs into the portly catering manager for one of the local factories. His name is Joseph Ambrose Hilditch, and he is outwardly a jovial and agreeable man, well-liked by his co-workers and meticulous about his culinary repasts. He lives in solitary splendor in the large house in which he grew up. There, he concocts lavish gourmet meals, while watching tapes of his deceased mother's television show, as she was a chef of some renown. Obviously, he was quite close to his mother, and he still misses her. The house is cluttered with collectibles but is well-kept, although decorated in the style of a bygone era. Mr. Hilditch is, indeed, a collector, but his collection is initially far beyond Felicia's imaginings. In fact, Mr. Hilditch has a darker side to him, which is not immediately discernible by the unwary.
When Felicia first meets Mr. Hilditch, it is to ask for information in connection with her fool's errand, but something about her catches Mr. Hilditch's fancy, and he finds himself keeping Felicia in his crosshairs. When Felicia seemingly unexpectedly runs into Mr. Hilditch again, he directs her to lodgings, and so it begins. As Mr. Hilditch insinuates himself ever so slowly into her life, weaving a fantasy about his own life that is sure to put her mind at ease about him. Felicia begins finding herself ensnared by this ostensibly kind and ever so helpful, avuncular man, and she initially fails to see the darkness that lies at the core of his being. The viewer, however, is given sneak peaks into some of his peculiarities and deceits.
Bob Hoskins is magnificent in the role of Mr. Hilditch, infusing the character with an avuncular charm that sits as a thin veneer over the cauldron of seething emotion within, emotions that cause Mr. Hilditch to act in ways most others would not. The viewer sees what Felicia fails to see, until it is almost too late, the duplicity and cunning that is masked by his overt geniality and seeming kindness. Like a spider to the fly, our teddy bearish Mr. Hilditch begins laying his trap, and so Felicia's journey thrusts her into the belly of the beast. Newcomer, Eileen Cassidy is quite good as Felicia, playing her with a naiveté that is central to the character. Unlike the character of Mr. Hilditch, who physically stays true to the Mr. Hilditch of the book, the Felicia of the film differs physically. Instead of a pail, puling, nun like blonde, the viewer is presented with a robust looking, fresh-faced brunette.
The cinematography is excellent, and the interior of Mr. Hilditch's home is magnificent, as it evokes another era, miring Mr. Hilditch in happier times while at home. The musical soundtrack is used to good effect to maintain that evocation. The director, Atom Egoyan, who also wrote the screenplay, does a fairly good job of adapting the book to the screen, given some of the constraints inherent in the book. Where the film fails somewhat is in the exploration of the darker corners of the human psyche, although he maintains the cat and mouse game that is central to the story. While the mind of Mr. Hilditch is dark, indeed, unlike the book, there are no unspeakable revelations in the film as to what lies at the heart of his predilection. What the director substitutes does not really satisfy the viewer as to why Mr. Hilditch does what he does.
The film, however, manages to show how each of these two flawed human beings were initially able to achieve a connection with another, only to find ostensible betrayal. What is decidedly different is the way that they each cope with that betrayal. Moreover, the book has no happily-ever-after ending to its story, which culminates with a conclusion that is quite bleak, robbing the reader of some satisfaction. The film's conclusion differs from that of the book, and while less bleak, is also somewhat unsatisfactory but, perhaps, only so to those who may have already read the book. As in the book, the journey that Felicia makes is larger in scope than merely a trip across the Irish Sea.
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