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Rating:  -
As most Argento fans know, Daria was Dario's partner and collaborator from Deep Red on through Opera. In other words, she helped Dario achieve his great artistic peak that spanned about a decade, and spawned the lead actress of this film, Asia Argento. Well, if Daria can be given shared credit for Dario's greatest successes, perhaps we should blame her absence for this dismal, cheesy atrocity.
I imagine this film would be painful and numbing for any viewer to watch, but it is especially excrutiating for a fan of Argento who has seen the masterpieces of which he is capable. At any rate, I urge everyone to stay far away from this debacle. Watching it is akin to undergoing the sadistic torture that Argento's villains subject their victims to in Dario's other films. You've been warned!
One final note: don't confuse this movie, Phantom of the Opera, with Argento's much different and much better movie, Opera.
Rating: -
Admittedly I still haven't seen "The Card Player," which is supposed to be completely rotten -- but I've seen nearly all of Argento's other films, and this is BY FAR the worst. The acting, the script, the 'special' effects -- dear god it is just unfathomably bad. The two leads are godawful in their roles, and the script is no help!
Rating: -
Once upon a time, a baby boy was washed into the Parisian sewers, where he was raised by telepathic rats to become the Phantom of the Opera, a serial killer, rapist and rat fetishist.
Yeah, it sounds ridiculous. It IS ridiculous. And Dario Argento is clearly not even trying to make this gory, schizophrenic "The Phantom of the Opera" work. Instead, he apparently is determined to eradicate any traces of Gaston Leroux's original novel, and load the remaining shreds down with lots of gore, poor scripting, and a romantic lead that really should be eaten alive by rats.
The baby who would later become the Phantom of the Opera was abandoned by his parents, and raised by a bunch of telepathic rats (I wish I were making this up). This doesn't explain how he learned to walk, talk, dress, wear a ghastly wig, play the organ, write music, and decorate his underground lair -- or why the rats would even do this. But it becomes pretty clear early on that Argento just isn't bothering with logic here.
In due time, the Phantom (Julian Sands) hears the songs of the young diva Christine (Asia Argento), he contacts her and they immediately fall into a passionate love/hate affair. No reason, they just do. And the Phantom's passionate, psychotic attachment to Christine leads to more disgusting deaths, as he tries to make the budding diva into a megastar of the opera -- but his increasing murders lead to possible destruction for both ill-inducing lovers...
My mother likes to tell the story of some people she knew in college -- apparently they had some sort of rat fetish, and would have sex while making rat squeaky noises. As far as I know, they never went to the level of rat masturbation/orgy (as the Phantom does at one point) but it did creep out their roommates.
That story was all I could think about while watching this florid, hysterical, illogical mess, which only has a few scattered names and ideas from Leroux's novel. The script is simply a disaster -- a muddled mass of bizarre unanswered questions (Telepathic rats? Flaming traps in the sky?) and glaringly predictable "twists" -- will the pedophile be horribly killed by the Phantom? Do you need to ask?
Even worse: the dialogue. Argento must have been asleep when he wrote this grotesquerie ("Your sweet female smell flows though my veins like the rolling ocean..."). That goopy adolescent stuff is basically when the Phantom says all the time, when he's not calling people fat cows. And Christine basically just yells all the time that she hates/loves/is going to have sex with him. Just make up your mind already.
It must be admitted that Argento has some magnificently opulent sets, and the whole ratcatcher in his rat-killing go-cart is unintentionally hilarious. But the rest of the time, we're treated to very explicit gore for its own sake -- impalements on a chandelier, tongue ripping, etc. And the whole rat thing is presumably meant to make us squirm, but it just made me wonder if Argento has some sort of furry fetish.
The final indignity to this disaster is the casting. It's weird enough to have a maskless, unscarred Phantom, but Sands is stuck with the role of a crazy, bloodthirsty rapist and murderer, who evokes zero pathos. And Asia Argento (yet again) plays a lusty sexpot who obviously can't sing, and spends most of the movie getting hysterical. The rats give good performances, though.
Dario Argento was obviously not even trying to make a good movie in "Phantom of the Opera," and instead piled on everything that could make it fail. Well, it worked -- it's a florid, hysterical, ghastly mess that lacks anything worthwhile.
Rating:  -
Now I might not be the typical Phantom phanatic, but I thought this was the second best Phantom of the Opera movie I've ever seen (the first is the version with Robert Englund). Yes, better than the 2004 musical, I never really liked that version. I know the Phantom in this movie does not wear a mask, he does not have a facial deformity, but he is the Phantom all the same.
This movie is graphic in its violence and...other things, but being a horror movie fan I found that the bloody murders were not overdone and were, in fact, very interesting. The entire plot of the movie was interesting, really. The beginning reminded me of Batman Returns. But hey, if a baby can be dumped in the sewer and raised by penguins, why can't he be dumped in a sewer and raised by rats?
The whole movie brought conflicting emotions, but I always felt so sorry for the poor Phantom. When Christine betrays him for Raoul in this movie it's so heart-breaking, and by the movie's end I was crying. Even if you don't like the rest of the movie so much, watch it for the ending! It was so tragically beautiful. I would definitely recommend this movie to anyone that can appreciate a tragic (horror-flavored) romance.
Rating: -
If you need all kinds of money thrown at a movie to make it good than your just shallow and boaring. This is an excelent work of cinematic art directed by one of the most talented cult film directors in the world. Dario Argento is the italian legend of horror...so if your just out of the loop than don't bother rating a perfectly great gothic masterpeice. Julian Sands is wonderful...the film is cool...get some class!
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