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Rating:  -
This is the second volume of Fantagraphics Books series that plans to reprint the complete run of E.C. Segar's Popeye comic strip. This volume reprints the daily strips from December 22, 1930 to June 8, 1932 and the color Sunday strips from March 1, 1931 to October 2, 1932. They are printed in a nice big size that makes them easy to read. The daily strips and the Sunday strips do not follow the same storyline. The dailies have longer storylines, such as when Popeye helps a tiny European country win a war. The Sundays have shorter storylines, often involving Popeye in boxing matches. Olive Oyl's brother, Castor Oyl, quietly disappears from the strip during this time period (he was once the lead character in the strip). Notable characters introduced during this period are Rough House (the chef) and Wimpy (originally introduced as the referee of Popeye's boxing matches). These are great comic strips which are well reproduced. The only bad thing about the book is the introduction by Donald Phelps. It's an incomprehensible bore and it's only Part One!
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Another excellent compendium of early Americana and social history as illustrated in the E. C. Segar Thimble Theatre comic pages. Nothing sanitised or homogenised about this. A must for the Popeye enthusiast. A delight on any coffee table or bedside stand.
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I am a danish cartoonist/illustrator, and my style is on the funny side.
When I was a kid in the 50's I came to know some of the original Segar strips from some books an aunt of mine had in her shelf. That I never forgot. I have often returned to Popeye, and have exposed my son to him as well. When he was about 5 years old, he was a huge fan of the old black and white animated movies, and I had to paint an anchor on his arms every morning before he went to kindergarden. I gave him a small corn pipe as well, and he went around like Popeye in the movies, with his arms out to the side. And on day his teacher came and said: "I think he has a problem with his eyes, maybe you should take him to a doctor." But I could tell her, that it was just because he was playing Popeye, walking around with his right eye closed.
After my childhood came many frustrating years, where the only Popeye cartoons were the ones Segars successors made, and they were just a faint copy of the masters work. It was a seldom thing to fall over one of Segars original works.
So how can I describe how happy I was when Fantagraphics began this project. I bought the first volume, and could hardly wait for the next. I will follow this project to the very end.
I have noticed that the drawing style has rubbed off on my own style in the later years, and I love the humor.
Segar's original Popeye cartoons are a milestone in comic book history!!!
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For someone raised on early 20th century comics, the series this book is volume 2 in is a real treasure. Elzie Chris Segar was a comic genius on a par with Carl Barks, Mort Walker, and Charles Schultz. His original newspaper Popeye comics are some of the greatest created. Stories are original and ludicrously inventive and the humor is top of the line. It's not for everyone, but connoisseurs of really great comics will have to have this.
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Volume one featured the world's first introduction to Popeye. In this volume the character of Popeye continues to take shape. As the book progresses Castor Oyl slowly fades from the scene until Popeye and Olive are left standing as the undisputed centerpieces of Elzie Segar's Thimble Theater. Popeye's physical appearance improves significantly bringing him much closer to his traditional look particularly in his chin which looked kind of droopy in the first volume.
You can sense a bit of a moral dilemma on the part of Segar. On the one hand the humor of Popeye revolves around his violent nature and inhuman ability to take and deliver punishment. On the other hand Segar clearly wants to make Popeye a likable even admirable character. His solution seemed to be to always add at least a hint of obnoxiousness to everyone he punches so that one can make an argument that the recipient of Popeye's punishment had it coming to them. Although this means that Popeye's neighborhood (never referred to as Sweethaven as far as I've seen) is packed with men itching for a fight. Every once in awhile Popeye socks someone for no good reason like an American Indian who Popeye assumes might try and scalp him. In this case Olive Oyl acts as the voice of reason telling Popeye it's wrong to abuse American Indians. This also seems to be a way for Segar to let people know that he is aware that some of Popeye's actions are morally dubious. In this volume Popeye becomes an almost Mother Theresa type humanitarian, opening up a one-way bank using a $25,000 the reward he received. He ends up giving out money to the poor until he's left with nothing for himself. This seems to be a continuing theme with him repeatedly using money he earns to help out the poor. Popeye has also become a hero and protector of children and in one comic Popeye tries to help a small boy learn to fight. He does this by punching out random men walking down the street.
Volume 2 features some famous firsts. The first appearances of Wimpy and Roughhouse and the first time Popeye is shown powering up with spinach. It's difficult for me to express how much I loved these comics. Elzie Segar's Popeye is a surprisingly multidimensional character compared to his later incarnations. At one point, after a particularly harsh verbal barrage from Olive, Popeye slaps her to the ground. It's a shocking moment even more so because earlier in the book Popeye had financially assisted a woman who had been battered by her husband. When Olive scolds him for the slap Popeye replies, `I yam what I yam' but in that instant with his head held low he might as well have said, `I can't help what I yam'. Quite a difference from the cardboard hero he became as the years went by. Where else would you find a cartoon character wrestle with his own penchant for violence or later express such honest and heartfelt love for a girl?
Volume one was five star material but volume two is even better. I never would have expected a comic over seventy five years old to be this edgy and legitimately funny. It's also amazing how much Elzie Segar's drawings improve over a very short period of time. There is one strip in particular that had me laughing hard. Popeye has gotten himself involved in a war and, in one of his last appearances; Castor Oyl tells Popeye that King Blozo wants to see him immediately. Suddenly a cannonball flies up and smacks Popeye in the rear sending him sailing like a rag doll through the air, through a pole, through the castle wall landing him at the king's feet. Castor says something like, "It wasn't THAT urgent". The visual of Popeye sailing through the air is absolutely hilarious and the punch line was perfect
If you're reading this review you're likely debating whether you should get this book and if you're debating let me assure you, you should. The only downside is we have to wait until fall 2008 to get the next volume.
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