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Following the time after I read Miller's "The Dark Knight Returns", whenever I hear the name "Batman", my mind immediately conjures up a vision of a lonely, troubled, ordinary man who, night by night, uses his detective skills to apprehend the criminals. He moves in the shadows and strikes fear into all those who are guilty and he. Never. Smiles.
Thanks to Miller, comic book writers proceeding after "Dark Knight Returns" have, for the most part, remained true to this vision. "Batman: Year One" is such an example and is truly a seminal body of work in the Batman canon.
"Batman: Year One" introduces us to two main characters, one being the aforementioned Dark Knight and the other being his most trusting friend and ally, (Lieutenant) James Gordon. The story is interwoven between these two men of Gotham City. Bruce Wayne has returned after having spent twelve years abroad with only one thing firmly rooted in his mind: to catch the bad guys. This desire runs parallel to (new cop in town) Gordon's own, in his case with addition to dealing with a corrupt police force.
Which is the beauty of this story. We see two men, one working for the law, and the other outside it, trying to come to terms with what they have to face. Gordon hates his job and corrupt superiors, regrets that his wife is bringing a child into this godforsaken city and has an affair to forget his troubles. Bruce Wayne/Batman on the other hand, has to come to deal with how he can strike fear into the hearts of men and maintain the image of a social elite at the same time. Something tells me they will get the hang of it.
Mazzuchelli's artwork is beautiful. Although I have always been a comic book fan, I've never really cared for the art unless it fails to help the story along. In this case, it does so much more. The art makes me feel totally uneasy with Gotham City, like I'm in Jim Gordon's place. It is perfect.
The most astounding feature of "Batman: Year One" is that it reads like a detective story and not a blockbusting special effects bonanza. Batman has always been a detective first and a "super-hero" second. He doesn't work like Superman, a character with whom comparisons are constant. It reminded me why I like him more than Superman: because he is, to all ends and purposes, only human. Miller keeps him that way which makes this a gritty and thrilling read.
I liked this book because it revived my interest in the Batman. I hear the film will be based on this story - I hope that the final script remains true to the detective aspect of "Batman: Year One", because it works best like that. The last two Batman movies were guilty of making Batman less mysterious. I want the real Batman back and if you read this book, you will too.
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this, along with "the dark knight returns" and "the killing joke", is not only one of the best batman stories ever written, but is probably right up there with some of the greatest art and literature ever produced in terms of profundity and reflection on the human condition and the problem of evil. bruce wayne, a tormented and obsessed man, struggles to find a way to put 'sense' back into his life after an unimaginably traumatizing event in his childhood--the gunning down of his parents by a two-bit mugger, with young bruce as the only witness. this horrendous crime and the dark shadow of absurdity and senselessness it casts over his existence forces him to become an avenger of sorts, a vigilante who, while knowing his task to be impossible, has no basic choice but to become a one man war on crime, using his inheritance and his willpower to become batman. this is a beautiful, haunting read and no batman devotee will ever forget it.
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I am not an avid comic book reader but I have just started to get into graphic novels. I started with The Dark Knight Returns and was disappointed - I thought it was way too hyped. I understand and appreciate it's impact on how comic books are written, but I just didn't enjoy it.
However, I loved Batman: Year One. Very dark, very interesting - a great read. I recommend this to anyone who enjoys Batman or enjoys superhero movies, but feel stupid reading comic books - trust me, it's not what you expect.
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Frank Miller's Batman: Year One is without a doubt one of Miller's best stories and arguably the greatest Batman tale ever told. In this series, Frank Miller was given the task of basically re-inventing the Batman character which he did such amazing work on in The Dark Knight Returns. This time, rather than tell of Batman's future, Miller retells the origin of the then 50-year-old comics character. The story is reset in a contemporary ('80s) setting, though the tale retains a timeless feel and overall, the basic story could be set anywhere in the 20th century. For this story, Miller has stripped Batman of all the wild and crazy additions which he made use of in DKR (and to excess in the sequel DK2.) It tells the tale of a 25-year-old Bruce Wayne first beginning his career as the Batman. Unlike in the original 1939 comics, James Gordon is younger and still a Lieutenant when the Dark Knight begins his crusade. The story is told from the persective of both good cop Gordon and the outlaw viligante Wayne and tells how they eventually find they must unite in order to continue their respective battles in a totally corrupt Gotham City. Young Wayne/Batman is convincingly portrayed as a youthful beginner still learning the ropes of being a superhero. He has not yet become the magnificently crazy force of nature shown in DKR. Gordon is shown as a very human hero who must fight evil in a more normal way. Catwoman is also introduced as a vengeful ex-prostitute. The story has a noirish feel, and Mazzuchelli's understated but strong drawing looks unimpressive at first glance, but tells the story in a direct, undistracting manner. I wish there were more Batman tales like this - mature, noir dramas without a lot of silly sci-fi/fantasy gimickry. I hope they are able to get that movie made!
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For all the none comic book fans out there, if you pick up only one comic book in your lifetime, make it Frank Miller's "The Dark Knight Returns." However, if you pick up two, make "Batman: Year One" (also by Miller) the other one. Basically, this is a retelling of the earliest days of Bruce Wayne's career as Batman, which neatly parallels then Lieutenant Jim Gordon's earliest days in the Gotham police force, before he becomes comissioner.
The artwork in this book is outstanding but what really sets this apart is the storyline. Miller basically with this book and "Dark Knight Returns" completely redefined the Batman mythology, turning Batman from a sometimes campy, sometimes sci-fi-ish character into something gritty, psychological and startlingly real. In fact, Miller has been pegged by Warner Brothers to script the new Batman movies so if you want a glimpse at what may unfold in them, look no further.
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