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Rating: -
This book proclaims to be a "critical assessment," though what the author ends up with is little more than detailed descriptions of seven of A & C's films, personal asides and a desire to make odd homosexual allusions to scenes and characters. The vast majority of anecdotes on the making of the films are taken (though footnoted) from a number of previously published books and articles and the author provides little new information except for his own outlandish and baseless claims.
His "critical assessment" might more accurately be described as "judgmental musings." The author often repeatedly makes the same comments about various sight gags being "more suited to The Three Stooges," or gives his opinion on whether certain jokes work, or not. Critical, perhaps. "Bitchy," certainly and more accurately. What is never clearly established is his credibility or expertise to make such comments on the merits of A & C's material. Another annoying habit the author has is to make assumptions on the part of "most viewers." He proudly points out a bit of business, background action or technical flaw that he has discovered upon countless viewings of the films and makes the claim that "most viewers miss this." How does he know? Is it possible that the rest of the audience caught it on the first viewing and he is just now catching up?
The book is poorly written and, aside from the time it occasionally takes to figure out his point, is a quick read. One's time might be better spent watching the films and drawing one's own conclusions. Also, any of the sources cited in the author's bibliography provide all the behind-the-scenes information and more, making them a better value if they can be tracked down.
Rating: -
I guess it's pretty ironic that a comedy team that did over 30 films together over 16 years is most remembered for their horror spoofs that continue to be enormously popular to this day. In "The Horror Spoofs of Abbott & Costello" author Jeffrey Miller takes a look at the horror comedies the team did, with a particular focus on horror spoofs involving classic monsters. Miller provides a complete cast and credit list along with a very lengthy and detailed synopsis of each film including many of the notable lines, gags, and scenes. It also includes comments taken from cast and crew of the day and recent comments from the likes of Sara Karloff, Bela Lugosi Jr., and Paddy Costello, who were on the set of these films as children. Miller also includes information on critical reviews of the day, box office results, as well as adding his own insightful analysis of the films.
Without a doubt the most popular A & C spoof (in fact their most popular film period) was "Abbott & Costello meet Frankenstein". Boris Karloff refused to appear in the film feeling it made a mockery of the monster. Lon Chaney Jr. felt the film would forever ruin the classic Universal Monsters. But time has proven them both wrong as the film works as both a comedy and a horror. It's at least as scary as Chaney's role as Count Alucard in "Son of Dracula". The fact that the film has legions of fans, including many famous filmmakers such as Quentin Tarrantino, is also a tribute to its staying power. For his part, Lugosi enjoyed himself on the set. One would guess he was probably just happy to be in a Universal production again as opposed to the poverty row films he had been doing in the 1940's. There was a lot of pranks pulled on the set...some of these outtakes are even captured on the A&C Meet Frankenstein special edition DVD. As has been pointed out on many occasions, this film would be Universal biggest moneymaker in years and virtually saved the studio from bankruptcy.
While Karloff refused to do that film, he did sign on for two others including "Abbott & Costello Meet Dr. Jekyll and Mr. Hyde." Karloff would play this famous role for the first an only time but as Miller notes, the studio originally wanted Basil Rathbone for the part. Both he and the boys were surprised at how well the film did at the box office. The other films that Miller highlights in the spoof section are "Abbott & Costello Meet the Invisible Man" and the final spoof, "Abbott & Costello Meet the Mummy". `Mummy' was their last film for Universal and by this time they were past their prime and not getting along well on the set. Universal knew it was the end of the road and did little to support the film and it's become regarded as one of their worst (although it isn't really all that bad).
Miller also looks as the teams other horror-comedies including "Hold that Ghost", "The Time of their Lives", and "Abbott & Costello Meet the Killer, Boris Karloff". "Hold that Ghost" is a particular favorite as its their version of and `old dark house' style film that was so popular in the 1930's and similar in style to the very good Bob Hope film "Ghost Breakers" "Hold that Ghost" would even have Evelyn Ankers in the cast who would go on to become one of the great scream queens of the 1940's.
Miller's research into these films is outstanding and while I'm a big fan, there were a lot of new things I learned. While very detailed it's never dry and Miller does a wonderful job at conveying the great routines of Abbott & Costello. Just beware if you have somehow never seen these films as the plot is fully described from beginning to end. By all means see the films and then pickup this book. Another fantastic book by the people at McFarland Publishing who put out some of the best books on genre film and film studies around.
Reviewed by Tim Janson
Rating: -
This is a great book that goes into the plot of their various A&C meet...(fill in the blank)films as well as "Hold That Ghost" and "The Time of Their Lives". There is even a brief section on their quasi sci-fi films. Each major "horror/comedy" film is detailed and behind the scenes info is given. Actor/actress backgrounds as well as changes in scripts and plots are also added for a totally enjoyable book. A section supplying background info on Abbott & Costello is given in the introductory chapter, and then it is on to my all time favorite "Abbott & Costello Meet Frankenstein". A must for all A&C fans!
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