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Night Gallery: Season Two DVD

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List Price: $59.98
Amazon.com's Price: $37.49
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as of 11/21/2009 10:41 EST details

 


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Aspect Ratio: 1.33:1
Audience Rating: Unrated
Binding: DVD
Brand: Universal Studios
EAN: 0025195009003
Format: Box set, Color, Dolby, DVD, Full Screen, Subtitled, NTSC
Label: Universal Studios
Languages: EnglishOriginal LanguageEnglishSubtitled
Manufacturer: Universal Studios
MPN: 61101070
Number Of Items: 5
Publisher: Universal Studios
Region Code: 1
Release Date: November 11, 2008
Running Time: 1120 minutes
Studio: Universal Studios




 

Editorial Review:

Product Description:
Studio: Uni Dist Corp. (mca) Release Date: 11/11/2008

Amazon.com:
Submitted for your approval, the second season of Night Gallery, Rod Serling's atmospheric anthology series that more often than not was in the Zone. Each week, Serling, acting as "an undernourished Alfred Hitchcock," played the role of host and curator of "a palladium of art treasures that range from the kooky to the uncommon, from the bestial to the bizarre." Comprised of original works and short story adaptations, Night Gallery's palette had many colors: touched-by-an-angel fantasy (the holiday fable "The Messiah on Mott Street"); the macabre ("Green Fingers"); the darkly comic ("The Late Mr. Peddington"); and the haunting ("The Tune in Dan's Cafe," which spawned the surprise country hit, "If You Leave Me Tonight I'll Cry"). Night Gallery has long resided in The Twilight Zone's shadow, but great art demands a second, closer look. At its best, Gallery featured superb writing (Serling's body snatcher gem, "Deliveries in the Rear") and great performances (Orson Welles as the narrator of "Silent Snow, Secret Snow"), but it was also a director's showcase for moods and aesthetics. A series benchmark is the terrifying, "The Caterpillar," starring Laurence Harvey as a man who gets an earful of earwig. In addition to Harvey, Gallery featured a stellar roster of actors who did not ordinarily do television, including Edward G. Robinson ("Mott Street"), Patrick O'Neal and Kim Stanley ("A Fear of Spiders"), and Geraldine Page ("Stop Killing Me" and the classic, "The Sins of the Fathers"). It also featured familiar faces in atypical roles, such as Laugh-In's verrrry interesting Arte Johnson as a womanizing radio disc jockey in "Flip Side of Satan," Pat Boone as a callous father considering a very special school for his delinquent son in "The Academy," and Rudy Vallee as a committed doctor, or at least one who should be, in "Marmalade Wine." Comic vignettes and blackouts between offerings are more miss than hit (in one, Death, riding in a crowded elevator, chivalrously removes his skull in the presence of a female rider), but they are brief and can be easily skipped. Museum goers who like audio tours to enhance their appreciation of the exhibits will appreciate episode commentaries by Jim Benson and Scott Skelton, who literally wrote the book on the series (Rod Serling's Night Gallery: An After-Hours Tour, and Pan's Labyrinth and Hellboy director Guillermo Del Toro. A series retrospective and a featurette spotlighting the artist who created the Gallery paintings featured in each episode make this DVD set one that is suitable for framing. --Donald Liebenson

Amazon.com
The second season of Night Gallery offers 22 more terror-filled tours for those "whose tastes in art run lean towards the bizarre," as host Rod Serling described its viewership; a wealth of extras spread across the set also makes this sophomore journey into darkness a worthwhile one for series devotees and TV horror fans in general. Though Serling was the face and frequent author of Night Gallery's episodes, his creative control over the series was fading by the second season (1971-1972); frequent clashes between Serling, the network and producer Jack Laird over the tone and direction of the show left the acclaimed television scribe feeling powerless over a series that used his Twilight Zone pedigree as its calling card. And while the hit-and-miss nature of the second season is unquestionable--episodes like "The Flip Side of Satan," "Professor Peabody's Last Lecture" and "Hell's Bells" are embarrassingly bad, as are Laird's short comic vignettes--but there are an equal number of terrific and memorable stories to be found in the set as well. Chief among them is the Serling-penned "The Caterpillar," a gruesome tale of revenge that stands as one of the most horrifying tales ever presented on television; Serling also provided the moving Christmas fable "The Messiah on Mott Street," which features one of Edward G. Robinson's last screen appearances, as well as "Class of '99" with Vincent Price and "The Academy," with a surprising and effective turn against type for Pat Boone. Other standouts include two H.P. Lovecraft adaptations, "Cool Air" and "Pickman's Model," and "Silent Snow, Secret Snow," which earns its chills from a combination of dreamlike visuals and narration by Orson Welles. For a show disregarded by critics and fans of Serling's early work (as well as by the man himself) the second season of Night Gallery offers more than its share of small-screen scares. Nearly all of the 22 episodes from Night Gallery's second season are contained in this five-disc set; two comic shorts, "Witches' Feast" and "Satisfaction Guaranteed," are missing or presented incomplete, respectively, though their absence has little to no impact on the set's value. Scott Skelton and Jim Benson, authors of the invaluable companion guide Rod Serling's Night Gallery: An After Hours Tour, provide a wealth of background information on the show in audio commentaries on three episodes, while director Guillermo Del Toro (Hellboy, Pan's Labyrinth) discusses the show's influence on his work in fascinating detail on three additional episodes. Revisiting The Gallery: A Look Back is a half-hour featurette that includes interviews with show contributors ranging from director John Badham and theme composer Gil Melle to actress Lindsay Wagner, while Art Gallery offers a glimpse at the show's evocative paintings with commentary by their creator, artist Tom Wright. A small battery of TV promos for the show round out the exemplary set, which should please fans who were disappointed by the lack of material in the first season presentation. --Paul Gaita



Customer Reviews
Average Rating:  out of 5 stars

Rating: 5 out of 5 stars - Rod Serlin: The master
Anybody, ANYBODY that likes the power of acting without a bunch of gratuitous gore and special effects will enjoy Night Gallery. I remember watching these shows when I was a preteen. Scared me, impressed me.



Rating: 5 out of 5 stars - Rod Serling's Night Gallery
This is a wonderful series. It's a shame that it only ran for 3 seasons. Any fans of Serling's Twilight Zone series I feel sure would also enjoy this series wholeheartedly.



Rating: 5 out of 5 stars - The waiting is truly over!!
Well as my title indicates, the waiting IS over. Truth is the waiting was over 30 years. I have already purchased the first DVD set and was pleasantly surprised at the picture and sound quality, not just because of the new technology used to translate this program to digital, but I only remember seeing Night Gallery on an old black and white TV when the shows aired originally. Much like older horror films give a sense of darkness and graininess to the picture, I remember watching the show in black ... Read More



Rating: 5 out of 5 stars - Night Gallery is Classic TV
Do not buy this DVD if you expect HI-DEF picture quality. Some of the older episodes are poor quality on big screen Hi Def. But the rest of the other reviews say about the same thing. I like the show so I bought it.



Rating: 5 out of 5 stars - A Season of Classics- Night Gallery at its best
Night Gallery was the scariest fun around when I was a kid. Staying up late to watch stories like "Lindemann's Catch" and "Pickman's Model" is one of my fondest memories. In season 2, the show really came into its own and produced some of the best segments, in my opinion. The whole concept of an anthology series where the stories are represented by paintings is brilliant, and Tom Wright's artwork is sometimes more memorable than the segment it introduces.
It helps to have an understanding ... Read More





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