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Notes on a Scandal: Original Soundtrack Music

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Binding: Audio CD
EAN: 0011661907423
Format: Soundtrack
Label: Rounder / Umgd
Manufacturer: Rounder / Umgd
Number Of Discs: 1
Publisher: Rounder / Umgd
Release Date: January 09, 2007
Sales Rank: 16077
Studio: Rounder / Umgd




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Editorial Review:

Album Description:
Philip Glass is inarguably one of the most distinctive and influential composers of the modern era. In addition to his ground-breaking concert hall works and operas, his film scores, such as The Hours, Kundun, and The Thin Blue Line, have won acclaim and popularity through their combination of Western classical music, synthesized sounds, and non-Western influences. His emotive score for Notes on a Scandal is an integral part of the dramatic arc of the film. Notes on a Scandal is a story of loneliness, loyalty, envy and love. Directed by Richard Eyre, the film follows a free-spirited and charismatic art teacher Sheba Hart (played by Cate Blanchett), who is brought down by scandal when she is arrested for engaging in sexual relations with a 15-year-old student. Academy Award winner Judi Dench plays a fellow teacher, Barbara Covett who befriends the younger woman and observes her fall from grace. "The score essentially is about Barbara," Glass states. "It begins with Barbara and it ends with Barbara."

Notes on a Scandal opens in theaters December 25th.

Amazon.com:
Philip Glass deserves his Oscar® nod for this superb, richly atmospheric soundtrack. His work on, say, The Hours may have been found overly sappy and intrusive by many, but Notes on a Scandal is a masterful example of what a film score can achieve. Glass has explained that he wrote it from the point of view of the Judi Dench character, who becomes increasingly obsessive and unhinged as the film progresses; similarly, the early tracks are relatively calm, only to start building up and up and up, and the last third of the CD is a master class in how to suggest psychological tension. The composer's familiar hypnotic repetitions are used very sparingly, giving the technique even more impact when it hits (check out "Invitation" and "Betrayal" for textbook examples). A cue like "Barbara¹s House" easily sits next to Bernard Herrman's best work on Hitchcock classics--no small compliment. --Elisabeth Vincentelli



Customer Reviews
Average Rating:  out of 5 stars

Rating: 4 out of 5 stars - does anybody know the song that's playing while
Sheba and her young lover are in her 'lair / studio' in the back yard?



Rating: 1 out of 5 stars - nice moments but there are better film composers
Philip Glass is a good composer. I can't say i hated all of the soundtrack. When he doesn't go back to the minimalist patterns there are some moments of beauty. But most of the time i must say the music was too melodramatic and moving when the film didn't ask for such texture.
This CD might be something nice to hear on your free "I love philip Glass" time.
But as a Soundtrack i think it made the film more romantic than it is.
I must say the hours worked better.



Rating: 5 out of 5 stars - Varied, non-repetitive and seems to tell a story all its own
This score makes the film. It is also varied, non-repetitive and seems to tell a story all its own. I have dozens of soundtracks I listen to while I work (write) and consider this one of the best for the dramatic genre. Better than the Illusionist (by the same composer).



Rating: 3 out of 5 stars - Somewhat less than noteworthy
Knowing it was nominated for Best Musical Score and after being entranced by his music to The Illusionist, I eagerly looked forward to Glass' music to Notes on a Scandal. After repeated listenings it falls short of my expectations. There just isn't enough to it. It seems somewhat spartan and uninspired. Themes are understated but pleasant. It almost feels like simple background music that does not have much power to lift or color a scene. The Illusionist is far better, nearly hypnotic, and should ... Read More



Rating: 5 out of 5 stars - Haunting
Another 5 star soundtrack for a 5 star movie. Beautiful and yet haunting music that sets the perfect tone for the movie. Philip Glass is an epic composer. Not since Hitchcock's Psycho have I ever heard such music that creates the ultimate mood of the movie. It just made sense and fit the script perfectly, as movie music should. It's music that you'll be thinking about soon after the credits roll by. If you are a fan of such classical strings, add this CD to your collection today.





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