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Price: $81.00 as of 11/25/2009 19:42 EST details
Availability: Usually ships in 1-2 business days
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Aspect Ratio: 1.85:1
Audience Rating: X (Mature Audiences Only)
Binding: DVD
EAN: 9780792177418
Format: Anamorphic, Closed-captioned, Color, DVD, Subtitled, Widescreen, NTSC
ISBN: 079217741X
Label: Paramount
Languages: EnglishOriginal LanguageDolby Digital 2.0 MonoEnglishSubtitled
Manufacturer: Paramount
MPN: 069074
Number Of Items: 1
Publisher: Paramount
Region Code: 1
Release Date: December 11, 2001
Running Time: 111 minutes
Studio: Paramount
Theatrical Release Date: 1969
Editorial Review:
Amazon.com:
Medium Cool is an almost impossible oddity: director Haskel Wexler wanted to shoot a fictional, narrative film wherein actors mingled with real people in an uncontrolled social environment. With that in mind, he began filming a movie about racial tensions in Chicago during the weeks prior to the 1968 Democratic National Convention, on the assumption that there would be a riot there. Then he brought his cast, crew, and camera to the scene of the proposed mayhem, and waited. . . and lo and behold, civil disorder broke out. It's intensely strange to see actors, playing characters, interacting in a real-life situation with real cops and real hippies fighting and running about. This is made stranger still by the story, about a reporter covering the growing unrest in the black ghettos of the city who discovers that the FBI may be in cahoots with his network. In preparing his script, Wexler assumed that the riot would be racial, but in fact it turned out that most of the rioters were white, so the final scenes seem to interrupt the narrative and make the film an odd pastiche and a commentary on the lack of connection between politics and life. Perhaps more of a curiosity than a wholly successful film, Medium Cool is still worth seeing for its striking footage and unprecedented combination of the real and the imaginary. --James DiGiovanna
Average Rating: 
Rating:  -
Over 40 years after its initial release, Medium Cool still stands as that rarest of commodities: a truly original film. Director Haskell Wexler set out to create a film that introduced actors into "real" street scenes in order to create a new type of movie. The result is interesting, but only a partial success.
Medium Cool's basic plot concerns a TV cameraman in Chicago, John Cassellis (Robert Forster), who views his work with complete detachment. As Medium Cool progresses, however, ... Read More
Rating:  -
Haskell Wexler's one-of-a-kind film seamlessly blends narrative and documentary forms, as the actors actually played their scenes as the Chicago riots were exploding all around them. Thus "Medium Cool" attains a heightened sense of tension, immediacy, and danger, as the line blurs between drama and reality. Evocative and extremely well-played by Forster and Bloom, this is a fascinating time-capsule for the ages. Look for Peter Boyle as an impassioned right-winger.
Rating: -
`Medium Cool' was directed, scripted, produced and filmed in 1968 by Haskell Wexler who had had success the previous year working as a cinematographer for Norman Jewison (In the Heat Of The Night, 1968) and Mike Nichols (`Who's Afraid Of Virginia Woolf?', 1967). He would also later work with George Lucas, Hal Ashby, Milos Forman and Terence Mallick in the 70s shooting important films of the `New Hollywood'.
Of all the films considered to be counterculture works this has to rank as one ... Read More
Rating:  -
This film is a must-have for anyone interested in the sociology, history, and physical development of Chicago. Done in a neo-realist style using a mixture of professional and amateur actors, the story revolves around real scenes shot during the 1968 Democratic Convention and the "police riot" that ensued. The deus-ex-machina ending is a bit disappointing, but the street scenes and footage are mind-blowing for students of Chicago and its history.
Rating: -
Absorbing, thought provoking and, above all, a unique record of an important "place & time", why "Medium Cool" still fails to gain the attention it deserves remains one of life's great mysteries.
First off, it's a pretty good if somewhat disjointed story... two "world-wise" middle class news reporters are sent to film the 1968 Democratic Convention in Chicago and become unwittingly involved in its political demonstrations, the inner city problems that have precipitated them, and the lives ... Read More
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