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Aspect Ratio: 2.20:1
Audience Rating: G (General Audience)
Binding: DVD
EAN: 9780790743080
Format: Closed-captioned, Color, Dolby, DVD-Video, Full Screen, NTSC
ISBN: 0790743086
Label: Turner Home Ent
Manufacturer: Turner Home Ent
Number Of Items: 1
Picture Format: Letterbox
Publisher: Turner Home Ent
Region Code: 1
Release Date: June 29, 1999
Running Time: 139 minutes
Sales Rank: 29289
Studio: Turner Home Ent
Theatrical Release Date: April 06, 1968
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Editorial Review:
Amazon.com essential video:
When Stanley Kubrick recruited Arthur C. Clarke to collaborate on "the proverbial intelligent science fiction film," it's a safe bet neither the maverick auteur nor the great science fiction writer knew they would virtually redefine the parameters of the cinema experience. A daring experiment in unconventional narrative inspired by Clarke's short story "The Sentinel," 2001 is a visual tone poem (barely 40 minutes of dialogue in a 139-minute film) that charts a phenomenal history of human evolution. From the dawn-of-man discovery of crude but deadly tools in the film's opening sequence to the journey of the spaceship Discovery and metaphysical birth of the "star child" at film's end, Kubrick's vision is meticulous and precise. In keeping with the director's underlying theme of dehumanization by technology, the notorious, seemingly omniscient computer HAL 9000 has more warmth and personality than the human astronauts it supposedly is serving. (The director also leaves the meaning of the black, rectangular alien monoliths open for discussion.) This theme, in part, is what makes 2001 a film like no other, though dated now that its postmillennial space exploration has proven optimistic compared to reality. Still, the film is timelessly provocative in its pioneering exploration of inner- and outer-space consciousness. With spectacular, painstakingly authentic special effects that have stood the test of time, Kubrick's film is nothing less than a cinematic milestone--puzzling, provocative, and perfect. --Jeff Shannon
Amazon.com:
When Stanley Kubrick recruited Arthur C. Clarke to collaborate on "the proverbial intelligent science fiction film," it's a safe bet neither the maverick auteur nor the great science fiction writer knew they would virtually redefine the parameters of the cinema experience. A daring experiment in unconventional narrative inspired by Clarke's short story "The Sentinel," 2001 is a visual tone poem (barely 40 minutes of dialogue in a 139-minute film) that charts a phenomenal history of human evolution. From the dawn-of-man discovery of crude but deadly tools in the film's opening sequence to the journey of the spaceship Discovery and metaphysical birth of the "star child" at film's end, Kubrick's vision is meticulous and precise. In keeping with the director's underlying theme of dehumanization by technology, the notorious, seemingly omniscient computer HAL 9000 has more warmth and personality than the human astronauts it supposedly is serving. (The director also leaves the meaning of the black, rectangular alien monoliths open for discussion.) This theme, in part, is what makes 2001 a film like no other, though dated now that its postmillennial space exploration has proven optimistic compared to reality. Still, the film is timelessly provocative in its pioneering exploration of inner- and outer-space consciousness. With spectacular, painstakingly authentic special effects that have stood the test of time, Kubrick's film is nothing less than a cinematic milestone--puzzling, provocative, and perfect. --Jeff Shannon
Average Rating: 
Rating: -
Keep in mind how old this movie is and then sit back and be blown away of how good it looks on the new Blu-Ray format! If you've seen it before then this will give you another great reason to watch it again like never before. If you haven't seen it before it may be a little slow because back when the film was made they did not use a lot of ambient music and such to fill that uncomfortable scilence you sometimes get on the older movies. There seem to be more of those then I can remember on this film ... Read More
Rating:  -
Still a teenager when I first viewed "2001" at a tiny off-campus one screen theater....I recently bought the Bluray disc version....and viewed it on my 1080p Panasonic plasma screen....fantasically vivid in color and detail...simply amazing. It was as if I'd never seen the movie before. The extras are fascinating...watching with the commentary on gives you an insight into the making of the movie...but more importantly, gives you an appreciation...that Kubrick made this movie. Thankyou, Mr. Kubrick. ... Read More
Rating: -
People jeer at media-created celebrities of today like Paris Hilton, but things were worse in the 1950s and 1960s when we were always hearing about the ASTRONAUTS. Stuffed down our throats, nobodies like Scott Carpenter and Gordon Cooper became household names, even though (and maybe because of the fact that) what we knew about them was tightly controlled and protected by layers of government secrecy and PR. Even their wives were sort of famous, though they never really took as celebrities, none of ... Read More
Rating:  -
I think where I went wrong was reading the book first. Considering the time it was made it was impressive in some of the style and effects but if I were to judge the film as a stand alone today it is just not that amazing. I am sure had I seen this in 1968 my mind would have been blown but in 2008 much less so. The first half feels twice as long as it actually is with very indulgent shots of stationary models moving across other models. Large portions of the story are just plain missing in favor of ... Read More
Rating: -
Film buffs frequently create lists of their 10 favorite movies. My answer changes from day to day, but there are three films always on the list: 2001: A Space Odyssey, Fantasia, and Koyannisqatsi. A science-fiction drama, a cartoon and a new age documentary; three completely different films.
2001 is an imaginative look at how man's evolution might have been affected by outside influences. Much of the film has no dialogue whatever. The rest has occasional patches of dialogue, with most having ... Read More
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