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Reading Deadwood: A Western to Swear By (Reading Contemporary Television) Books

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List Price: $19.95
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Binding: Paperback
Dewey Decimal Number: 791.4572
EAN: 9781845112219
ISBN: 1845112210
Label: I. B. Tauris
Manufacturer: I. B. Tauris
Number Of Items: 1
Number Of Pages: 232
Publication Date: September 19, 2006
Publisher: I. B. Tauris
Release Date: September 19, 2006
Studio: I. B. Tauris




 

Editorial Review:

Product Description:
With the debut of Deadwood on HBO, a vision of the “Old West” emerged that was unlike anything done before on TV. David Milch, also the creator of NYPD Blue, imbued the series with his signature use of harsh language, complex storylines, and shocking acts of violence. The characters he created redefined the hackneyed stereotypes of the Western genre, from the harassed but defiant "Chinaman," Mr. Wu, to the murderous, ferociously funny Al Swearengen, to the whiskey-drinking Calamity Jane who's only too happy to help her friend run the new brothel in town. Reading Deadwood offers an entertaining and eye-opening look into everything from the use of profanity, the characters, and the way the show bends the genre, to subjects like prostitution, race, and the making of American civil society. Complete with episode and character guides, no fan of Deadwood--and no one interested in Westerns--should be without this book.


Book Description:
With the debut of Deadwood on HBO, a vision of the “Old West” emerged that was unlike anything done before on TV. David Milch, also the creator of NYPD Blue, imbued the series with his signature use of harsh language, complex storylines, and shocking acts of violence. The characters he created redefined the hackneyed stereotypes of the Western genre, from the harassed but defiant "Chinaman," Mr. Wu, to the murderous, ferociously funny saloonkeeper Al Swearengen, to the bullwhip cracking Calamity Jane. Reading Deadwood offers an entertaining and eye-opening look into everything from the use of profanity, the characters, and the way the show bends the genre, to subjects like prostitution, race, and the making of American civil society. Complete with episode and character guides, no fan of Deadwood--and no one interested in Westerns--should be without this book.




Customer Reviews
Average Rating:  out of 5 stars

Rating: 1 out of 5 stars - SUCKS
Unless this book is assigned to you as a student in film class do not buy it. The muck here which passes as narrative is better layed in the streets of Deadwood then to be read by us today. My God be praised I wish I could get my money back from this one.



Rating: 2 out of 5 stars - Weak and herniated.
Like so many Lavery-edited works, the essays are works of hyper-extension, in which the essayists try ever so hard to find subliminal and subtextual meaning where there is none. It is the blight of popular culture studies that the so-called academics who endeavor to give extraordinary signficance to "art" that is meant more to entertain than to edify. I am not saying that "Deadwood" isn't one of the greatest shows ever to be sent over the airwaves (cable waves?), because it is every bit deserving ... Read More



Rating: 5 out of 5 stars - Another great book in the Reading Contemporary Television series
This is the second title in the Reading Contemporary Television series I have read. Like READING SIX FEET UNDER: TV TO DIE FOR, this volume is a collection of thoughful essays written by academics and media scholars while the series was still in progress. The volume on DEADWOOD covers the first two seasons. This means the authors are not fully aware of all the plotlines that will be pursued in the life of the entire series; nor do they know the ultimate destination of individual characters' story arcs. ... Read More



Rating: 5 out of 5 stars - Well done
Great reading for fans of the show. Gets into the nitty gritty and makes points you might have missed. My favorite one was by Amanda Klein who opines about the opening credits. I didn't know that a wagon wheel in the mud could carry so much symbolism.





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