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List Price: $18.95Amazon.com's Price: $14.78 You Save: $4.17 (22%)as of 11/22/2009 19:48 EST details
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Binding: Paperback
Dewey Decimal Number: 791.43750973
EAN: 9781560252320
Edition: 1st
ISBN: 1560252324
Label: Da Capo Press
Manufacturer: Da Capo Press
Number Of Items: 1
Number Of Pages: 416
Publication Date: October 05, 1999
Publisher: Da Capo Press
Studio: Da Capo Press
Features:
Editorial Review:
Product Description: Celluloid Mavericks: A History of American Independent Filmmaking documents this rich history, showing what it meant to be "independent" in the 1930s and what it means today. Author Greg Merritt distinguishes between indie and semi-indie productions, explores the genres represented under the independent umbrella, and addresses the question of what makes a movie independent -- its "spirit" or the budget backing the production. From one-reel flicks at the turn of the century to the blockbusters of the '90s, Celluloid Mavericks takes readers on a fascinating tour of the industry. 50 photos.
Average Rating: 
Rating: -
This book blew me away. I love the way it covers the whole spectrum of indie film, not just "art" but "exploitation" as well. The story of how these films came to be against great odds makes for great reading. I learned something knew on every page. Highly recommended for fans of non-Hollywood films.
Rating: -
This was a very good read, masterfully told and researched. This is the only book that tells the COMPLETE history of indie movies. Highly recommended.
Rating: -
This is the best book ever written on independent film. I wish I could give it move than 5 stars, because Celluloid Mavericks is a pure pleasure to read: witty, informative and always extremely entertaining. No other book comes close to its breadth and detail, especially in regards to the previously uncharted territory between 1896 and 1960. This is my all-time favorite film book, well deserving of its many raves reviews.
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from the New York Press 3-29-2000 - copyright Matt Zoller Seitz
Merritt's book covers a century's worth of off-center cinema, including 1890s nickelodeons, 1940s chitlin-circuit black films, Sam Fuller's genre-busting work in the 50s and 60s, blaxploitation and hardcore porn in the 70s and the Sundance wave of the 80s and 90s. The central idea of free spirits bucking the system unifies waht might have been a too-broad historical text, and Merritt's tart wit enlivens the fact-packed ... Read More
Rating: -
This was a great read. Very well-written. It covered more than any other film book. I especially liked the exploitation stuff and how it mixed with art films: the yin and yang of indie cinema.
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