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Binding: Paperback
Dewey Decimal Number: 787
EAN: 9780674005471
ISBN: 0674005473
Label: Harvard University Press
Manufacturer: Harvard University Press
Number Of Items: 1
Number Of Pages: 384
Publication Date: May 02, 2001
Publisher: Harvard University Press
Sales Rank: 375598
Studio: Harvard University Press
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Editorial Review:
Product Description:
Around 1930, a group of guitar designers in Southern California fitted instruments with an electromagnetic device called a pickup--and forever changed the face of popular music. Taken up by musicians as diverse as Les Paul, Muddy Waters, Jimi Hendrix, and the MC5, the electric guitar would become not just a conduit of electrifying new sounds but also a symbol of energy, innovation, and desire in the music of the day. Instruments of Desire is the first full account of the historical and cultural significance of the electric guitar, a wide-ranging exploration of how and why the instrument has had such broad musical and cultural impact.
Instruments of Desire ranges across the history of the electric guitar by focusing on key performers who have shaped the use and meaning of the instrument: Charlie Christian, Les Paul, Chet Atkins, Muddy Waters, Chuck Berry, Jimi Hendrix, the MC5, and Led Zeppelin. The book traces two competing ideals for the sound of the instrument: one, focusing on tonal purity, has been favored by musicians seeking to integrate the electric guitar into the existing conventions of pop music; the other, centering on timbral distortion, has been used to challenge popular notions of "acceptable" and "unacceptable" noise. Instruments of Desire reveals how these different approaches to sound also entail different ideas about the place of the body in musical performance, the ways in which music articulates racialized and gendered identities, and the position of popular music in American social and political life.
Average Rating: 
Rating:  -
While this book is mostly readable and does contain interesting and useful information where it is dealing specifically with guitars, and the direct histories of the artists involved...
....it fails when it takes an acedemic's perspective and drags in unwanted cultural, social speculations.
I bought a book because I wished to read about nuts and bolts guitars and electric guitar history. I did NOT wish to enroll in a class in ethnic studies. If the author wanted to write about ethnic ... Read More
Rating:  -
this is a terrific book; it weaves together lots of well-researched cultural history, theoretical savvy, musical insight and a true rock and roll spirit to create an eminently readable and yet very intellectually responsible volume. it is hard to find a scholarly book that is so accessible, entertainingly written, and consistently adept at keeping so many balls in the air at once --gender and racial politics, sonic codings in popular music (purity of sound vs. distortion), the facts and figures ... Read More
Rating:  -
I would like to quickly state my thoughts about Dr. Steve Waksman. Although I have not yet been able to read through the entire book, I have read many sections of it. Dr. Waksman is a professor of mine at Miami University in Oxford, Oh. Throughout the semester he taught me a countless amount of information on the guitar and the history of Rock n' Roll. Out of all my classes I have ever been enrolled in, his American Studies class has not only been the most interesting, but I have also gained the ... Read More
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