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List Price: $16.00Amazon.com's Price: $10.88 You Save: $5.12 (32%)Prices subject to change.
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Binding: Paperback
Dewey Decimal Number: 401
EAN: 9780374521677
ISBN: 0374521670
Label: Hill and Wang
Manufacturer: Hill and Wang
Number Of Items: 1
Number Of Pages: 271
Publication Date: January 01, 1975
Publisher: Hill and Wang
Sales Rank: 43311
Studio: Hill and Wang
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Editorial Review:
Product Description: Preface by Richard Howard. Translated by Richard Miller. This is Barthes's scrupulous literary analysis of Balzac's short story "Sarrasine."
Average Rating: 
Rating: -
I first read this book decades ago, at a time when I thought that all literary critics were full of hot air. The world of literary criticism is not as bad as it once was--thanks to M. Barthe, but why bother with the rest, when you can read the best?
There is nothing in this book that you can not learn from the poetry of Wallace Stevens or the fiction of Virginia Woolf. However, Barthes does something that I would have thought impossible, had I not read S/Z. Rather than hinting at truths ... Read More
Rating: -
I decided to write a paper on Barthes' S/Z after it was highly recommended to me by my professor of literary criticism. Criticism usually puts me to sleep when I read it, and this professor claimed that S/Z kept him up all night, it was so fascinating. This was not the case for my first reading of S/Z, but the more I opened the book, the more interesting it became. Barthes' criticism is of the most unusual kind; what he writes about Balzac's Sarrasine is "neither wholly image nor analysis" ... Read More
Rating: -
Understand what this little book is and its significance. Barthes begins with a short story by Balzac and then plays with its interpretation. He "rereads" the story using different treatments. His goal: to show that there is no Author who gives an Absolute Meaning to the text -- that it's the reader who provides his/her own meaning to it. The Author is dead, long live the Reader. You may or may not get this concept, but trust me, it's a significant shift in literary theory. I've taken the time to ... Read More
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