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Binding: Paperback
Dewey Decimal Number: 813.6
EAN: 9780316016391
ISBN: 031601639X
Label: Back Bay Books
Manufacturer: Back Bay Books
Number Of Items: 1
Number Of Pages: 416
Publication Date: February 26, 2008
Publisher: Back Bay Books
Sales Rank: 1989
Studio: Back Bay Books
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Editorial Review:
Product Description: No one knows us quite the same way as the men and women who sit beside us in department meetings and crowd the office refrigerator with their labeled yogurts. Every office is a family of sorts, and the ad agency Joshua Ferris brilliantly depicts in his debut novel is family at its strangest and best, coping with a business downturn in the time-honored way: through gossip, pranks, and increasingly frequent coffee breaks. With a demon's eye for the details that make life worth noticing, Joshua Ferris tells a true and funny story about survival in life's strangest environment--the one we pretend is normal five days a week.
Amazon.com: Amazon Best of the Month Spotlight Title, April 2007: It's 2001. The dot-com bubble has burst and rolling layoffs have hit an unnamed Chicago advertising firm sending employees into an escalating siege mentality as their numbers dwindle. As a parade of employees depart, bankers boxes filled with their personal effects, those left behind raid their fallen comrades' offices, sifting through the detritus for the errant desk lamp or Aeron chair. Written with confidence in the tricky-to-pull-off first-person plural, the collective fishbowl perspective of the "we" voice nails the dynamics of cubicle culture--the deadlines, the gossip, the elaborate pranks to break the boredom, the joy of discovering free food in the breakroom. Arch, achingly funny, and surprisingly heartfelt, it's a view of how your work becomes a symbiotic part of your life. A dysfunctional family of misfits forced together and fondly remembered as it falls apart. Praised as "the Catch-22 of the business world" and "The Office meets Kafka," I'm happy to report that Joshua Ferris's brilliant debut lives up to every ounce of pre-publication hype and instantly became one of my favorite books of the year. --Brad Thomas Parsons
Average Rating: 
Rating: -
Deanna Hurst powers Joshua Ferris' story THEN WE CAME TO THE END, with her firm songwriting and speaking skills adding drama to the story of coworkers fighting for jobs, perks, and survival in a cutthroat business environment.
Rating: -
After hearing how funny this book was, seeing how many awards it had won, I tried to read it several times. Recently I picked it back up (after putting it down months ago) but quickly just gave up again - permanently this time. The long rambling pointless prose style just got to me. Couldn't stand it. It's like listening to that long-winded person everyone has in their office tell what should be a brief story about what they did last night - they drone on and on, sticking in details that don't matter, ... Read More
Rating: -
I'm about a fifth of the way through this book, and I'm having a really tough time getting through it. Like many of the other reviewers, I was impressed by the praise it was getting and was expecting a quick, entertaining read. Instead, reading it has dragged on for 2 weeks (I actually stopped and read Generation Kill, which is the same size, in 2 days in between). A lot of the negative reviewers have mentioned the Office in comparison, and I think that highlights how poorly the characters are developed ... Read More
Rating: -
Everyday we spend the best part of our energy on the people who work with us. That ad hoc family that surrounds us day after day. The people we know better than some our own family, and yet really don't know at all. The agency is downsizing, restructuring any other term they can find for layoffs. Every day brings the anticipation and dread. Will it be Carl, who has been more and more erratic as of late, or Jim, who always manages to say the most inappropriate thing, Karen who can reduce even the most ... Read More
Rating: -
Some really good writing and an interesting premise, but not an appealing read. Is it reading a first person plural narration? Maybe. Or could it be the fact that it's more a vertical story than a horizontal one? I'm not sure. A lot of people like this book, but I wouldn't recommend it.
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