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Binding: Paperback
Dewey Decimal Number: 813
EAN: 9780141180144
ISBN: 0141180145
Label: Penguin Classics
Manufacturer: Penguin Classics
Number Of Items: 1
Number Of Pages: 432
Publication Date: 2001-12
Publisher: Penguin Classics
Sales Rank: 206185
Studio: Penguin Classics
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Editorial Review:
Product Description:
Mikhail Bulgakov's devastating satire of Soviet life was written during the darkest period of Stalin's regime. Combining two distinct yet interwoven parts-one set in ancient Jerusalem, one in contemporary Moscow-the novel veers from moods of wild theatricality with violent storms, vampire attacks, and a Satanic ball; to such somber scenes as the meeting of Pilate and Yeshua, and the murder of Judas in the moonlit garden of Gethsemane; to the substanceless, circus-like reality of Moscow. Its central characters, Woland (Satan) and his retinue-including the vodka-drinking, black cat, Behemoth; the poet, Ivan Homeless; Pontius Pilate; and a writer known only as The Master, and his passionate companion, Margarita-exist in a world that blends fantasy and chilling realism, an artful collage of grostesqueries, dark comedy, and timeless ethical questions.
Although completed in 1940, The Master and Margarita was not published in Moscow until 1966, when the first part appeared in the magazine Moskva. It was an immediate and enduring success: Audiences responded with great enthusiasm to its expression of artistic and spiritual freedom. This new translation has been created from the complete and unabridged Russian texts.
Amazon.com Review:
Surely no stranger work exists in the annals of protest literature than The Master and Margarita. Written during the Soviet crackdown of the 1930s, when Mikhail Bulgakov's works were effectively banned, it wraps its anti-Stalinist message in a complex allegory of good and evil. Or would that be the other way around? The book's chief character is Satan, who appears in the guise of a foreigner and self-proclaimed black magician named Woland. Accompanied by a talking black tomcat and a "translator" wearing a jockey's cap and cracked pince-nez, Woland wreaks havoc throughout literary Moscow. First he predicts that the head of noted editor Berlioz will be cut off; when it is, he appropriates Berlioz's apartment. (A puzzled relative receives the following telegram: "Have just been run over by streetcar at Patriarch's Ponds funeral Friday three afternoon come Berlioz.") Woland and his minions transport one bureaucrat to Yalta, make another one disappear entirely except for his suit, and frighten several others so badly that they end up in a psychiatric hospital. In fact, it seems half of Moscow shows up in the bin, demanding to be placed in a locked cell for protection.
Meanwhile, a few doors down in the hospital lives the true object of Woland's visit: the author of an unpublished novel about Pontius Pilate. This Master--as he calls himself--has been driven mad by rejection, broken not only by editors' harsh criticism of his novel but, Bulgakov suggests, by political persecution as well. Yet Pilate's story becomes a kind of parallel narrative, appearing in different forms throughout Bulgakov's novel: as a manuscript read by the Master's indefatigable love, Margarita, as a scene dreamed by the poet--and fellow lunatic--Ivan Homeless, and even as a story told by Woland himself. Since we see this narrative from so many different points of view, who is truly its author? Given that the Master's novel and this one end the same way, are they in fact the same book? These are only a few of the many questions Bulgakov provokes, in a novel that reads like a set of infinitely nested Russian dolls: inside one narrative there is another, and then another, and yet another. His devil is not only entertaining, he is necessary: "What would your good be doing if there were no evil, and what would the earth look like if shadows disappeared from it?"
Unsurprisingly--in view of its frequent, scarcely disguised references to interrogation and terror--Bulgakov's masterwork was not published until 1967, almost three decades after his death. Yet one wonders if the world was really ready for this book in the late 1930s, if, indeed, we are ready for it now. Shocking, touching, and scathingly funny, it is a novel like no other. Woland may reattach heads or produce 10-ruble notes from the air, but Bulgakov proves the true magician here. The Master and Margarita is a different book each time it is opened. --Mary Park
Average Rating: 
Rating:  -
Over the years I've heard numerous people call "The Master and Margarita" their favorite book, so finally I decided to read it for myself and was not disappointed at all. Yet, despite my enjoyment of this book, I am at a loose for how best to describe or critique it. I could perhaps say (and I mean this as a compliment) this is the literary equivalent of an old and unsafe ride at a traveling carnival - that is, you're never sure what's going to happen next, so all you can do is hold on tight and ... Read More
Rating: -
My boyfriend and read it toghether and i got addicted to it since page 1! what a book!
Its very funny, cause the characters are one of a kind, it is interesting because it reflects the Russian society, it is deep because you also get both of these features related to yes...Pontius Pilates and Christ! and it is easy to read, has many many helpful comments at the end so you dont get lost in history!
This is a must for everyone
Rating: -
I found Mikhail Bulgakov's life terribly sad, as I progressed through this novel, realizing how much of it is autobiographical. Here was a brilliant man---the grandson of Priests, who was obviously quite theologically challenged in atheist Russia. His motif surrounding the existence of Jesus and the Devil, told through stories of Faust and Pontius Pilate, was obviously his personal desire to master the concept of good versus evil, in a culture of oppression, brutality, and subjugation, not to mention ... Read More
Rating: -
There is little I can add to the many excellent reviews of this unique novel; it repays re-reading and study.
Professor Kevin Moss at Middlebury College maintains an excellent site dedicated to this novel. There are illustrations from various editions, maps of places and a guide to the characters. Professor Moss describes the site:
"These Master & Margarita pages are intended as a web-based multimedia annotation to Bulgakov's novel.
"You won't find the full text of ... Read More
Rating:  -
About midway through this book, I decided it could easily be turned into a screenplay for another run-of-the-mill slasher movie. Maybe the best is yet to come, but I resent having read so far waiting for something better.
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